“…Hundley’s compositions are delicately balanced and formally elaborate. The ghosts of Robert Rauschenberg’s combines permeate these constructions. Color shifts between flamboyant and subtle, from intensely saturated to whispered tonalities…Textures may vary between tender and silken to prickly and menacing. Gravity is defied and exposed…In Hundley’s assemblages, time—ancient and contemporary—spills forward and backward, one condition fusing into the other. A state of grace, before the fall, remains an echo, a still palpable presence, against the cacophony of history.”